{"text":"这样，“气韵生动”这一产生于六朝、本是人物画的审美标准，便推广和转移到山水画领域来了。它获得了新的内容和含义，终于成为整个中国画的美学特色：不满足于追求事物的外在模拟和形似，而要尽力表达出某种内在风神，而这种风神又要求建立在对自然景色、对象的真实而又概括的观察、把握和描绘的基础之上。","title":"美的历程","author":"李泽厚","url":null,"source_url":null,"source_type":"book","category":null,"location_type":"order","location":6,"note":"","highlighted_at":"2025-04-23T00:25:19.242874Z","highlight_url":null,"image_url":"https://res.weread.qq.com/wrepub/CB_0TE0Ky0MoFjC6L06LY_parsecover","id":882101915,"api_source":null}